Saturday, January 28, 2012

Emotional Scenes

(An article from Achtung! member and actor Allyson Carranza):

For many actors learning to 'cry on cue' is one of the most difficult skills to learn.  There are many exercises one can practice to reach the emotional level where tears can come freely.  Perhaps the best method is simply not to try.  In other words, the more we attempt to use a technique, the it less it may work for us.  This is because we remove ourselves from the scene, and therefore the character and her emotion, by focusing on the technicalities of our acting.

Imagine, your best friend tells you she never really liked you.  Would you stop and say to yourself, "Okay, I have to cry now.  How can I make that happen?"  Of course not.  The emotion of the scene would naturally take over.  You have to trust that same organic wave of emotion when playing out a fictional scene as well.

Honest emotion is not foolproof.  Who knows?  Maybe you get into a scene and your organic response to the situation doesn't involve tears at all, but another reaction all together.  That's okay.  That's honest.  And in scenarios where your character must cry sometimes the best method is to...well, act.  The next time your cry in real life, try to recall how you do it.  What does it feel like?  Sound like?  Learn to recreate this so you can cry in a realistic manner...even if no tears come.

Monday, January 23, 2012

We've got Paypal!

Yes, we've made it easier to support the arts.
Please note the "Donate" button to your right.  Every donation is tax-exempt.  Allow me, Rufus, to elaborate on what your donation will go towards:

  • Paying for rights to shows.  This is one of the biggest expenses we have.  We won't advertise or hold auditions for a show we haven't secured rights for.  Typically average show rights go for $75 a night.  
  • Renting theatre spaces.  This is usually the biggest expense for growing theatre companies that don't have a space of their own just yet (we're not homeless, we just move around a lot).  
  • Publicity and advertising.  This can be as expensive as the rights and it gets people into our shows, plain and simple.  Without PR the theatre shrivels into something rather sad.
  • Paying for third-party expertise, particularly lights and sound.  The rest we pay on a case-by-case basis depending on respective contracts. 
We appreciate every donation.  If you believe in the importance of the arts (especially in this current economy) then please click on the "Donation" button to the right.  We take every dollar seriously to create the best theatre experience possible for all involved, behind, on, and in front of the stage.  Thank you for your support!